Rachel Healy

Title

Postdoctoral Fellow

Institution

Trinity College Dublin

Current Research

PhD thesis UCD (2024): "Portraits of Giorgio Cornaro and his Heirs:Resolving issues of Identity, Authorship and Patronage in Renaissance Venice".
This project builds on Healy's recent identification of an early sixteenth-century painting in the National Gallery of Ireland as containing rare portraits of Giorgio Cornaro (c.1452-1527, brother of Caterina, Queen of Cyprus) and his son Cardinal Francesco (1478-1543). It attempts to resolve similar long-standing confusion regarding the identities of sitters in related works by Titian and his workshop, the Cornaro Triple Portrait in Washington DC and Man with a Falcon in Nebraska. In so doing, it will cast new light on Titian’s development as a portraitist and the extent to which important paintings commissioned by the Cornaro survived fires at two family palaces in Venice in the 1530s. An eighteenth-century painted Cornaro Family Tree will also be discussed as a long-overlooked tool for identifying these and other sitters in disputed portraits of one of renaissance Venice’s wealthiest and most influential patrician families.

Recent Publications

'Three Men & an Abbey: The Cornaro Triple Portrait', Renaissance Studies, 2025, https://onlinelibrary.wiley.com/doi/pdf/10.1111/rest.12989

"A Portrait of two Venetian Gentlemen in the National Gallery of Ireland: A Question of Identity", Artefact, (Irish Association of Art Historians, 2016): 35-43.

Forthcoming Publications

'Giorgio Cornaro & the Cloth of Gold', Source: Notes in the History of Art, 2025.

'Recasting Titian’s Falconer: From Zorzone to Girolamo Cornaro'

'A portrait drawing of Cardinal Marco Cornaro by Raphael?'

'Portraits of Power: Myth and Truth in the Cornaro Family Tree'