Louise Bourdua
Title
Professor in the History of Art
Institution
University of Warwick
Current Research
Artistic production including manufacture, patronage and iconography (including that of religious orders) and intersections between the Veneto and the world in the later middle ages and Renaissance.
Recent Publications
Frances Andrews and Louise Bourdua, 'The Notary, the Sculptor, the Friar and the Doge: Giovanni Dolfin and his Creditors in Mid-Fourteenth-century Venice', in Popes, Bishops, Religious and Scholars. Studies in Medieval History Presented to Patrick N.R. Zutshi for his Seventieth Birthday, eds Peter D. Clarke and Michael J.P. Robson, Brepols: Turnhout, 2024, pp. 51-75.
'Cut-out stencils in fourteenth-century painting: Giotto and his workshop in the arena chapel', Il Santo. Rivista francescana di storia, dottrina, arte, LXIV, 2024, pp. 237-250.
Frances Andrews and Louise Bourdua. 'Fashioning the "Order of Saint Clare. A Rule illuminated by Neri da Rimini: Princeton University Library MS 83 in context', Franciscan Studies, 81, 2023, p. 75-114.
'"qui locus vocatur el Batisterio". Space, liturgy and multiple vantage points: the frescoes of the Baptistery of Padua by Giusto de’Menabuoi', in Gli spazi del sacro nell'Italia medievale, eds F. Massaccesi and G. Valenzano, Bologna, 2022, pp. 327-353.
'Cut-out stencils in fourteenth-century painting: Giotto and his workshop in the arena chapel', Il Santo. Rivista francescana di storia, dottrina, arte, LXIV, 2024, pp. 237-250.
Frances Andrews and Louise Bourdua. 'Fashioning the "Order of Saint Clare. A Rule illuminated by Neri da Rimini: Princeton University Library MS 83 in context', Franciscan Studies, 81, 2023, p. 75-114.
'"qui locus vocatur el Batisterio". Space, liturgy and multiple vantage points: the frescoes of the Baptistery of Padua by Giusto de’Menabuoi', in Gli spazi del sacro nell'Italia medievale, eds F. Massaccesi and G. Valenzano, Bologna, 2022, pp. 327-353.