Nora Gietz
Title
PhD
Website
https://independentscholar.academia.edu/NoraGietz; https://www.linkedin.com/in/nora-gietz-59961924/Current Research
Women Artists of Venice as part of Save Venice's Women Artists of Venice (WAV) Program
Napoleonic suppressions and plunder in Venice
Miraculous images of the Virgin Mary and Venice's identification with the Madonna
Napoleonic suppressions and plunder in Venice
Miraculous images of the Virgin Mary and Venice's identification with the Madonna
Recent Publications
The Fate of the Servi during the Napoleonic Period (1806-1814)’, in La chiesa e il convento di Santa Maria dei Servi a Venezia, eds. E. Baseggio, T. Franco and L. Molà, (Rome: Viella, 2023)
‘Preserving Giotto and Titian in Padua: New Napoleonic Documents’, in The Burlington Magazine, vol. 163, no. 1421 (August 2021)
‘The Parish of San Polo and its Patrimony after the Fall of the Venetian Republic (1797-1815)’, in La Chiesa di San Polo tra devozione, arte e feste popolari, eds. G. Matino and D. Raines (Rome: Viella, 2021)
‘Preserving Giotto and Titian in Padua: New Napoleonic Documents’, in The Burlington Magazine, vol. 163, no. 1421 (August 2021)
‘The Parish of San Polo and its Patrimony after the Fall of the Venetian Republic (1797-1815)’, in La Chiesa di San Polo tra devozione, arte e feste popolari, eds. G. Matino and D. Raines (Rome: Viella, 2021)
Forthcoming Publications
‘A Woman Artist in Eighteenth-Century Venice: New Details about Giulia Lama’s Life (1681-1747)’, in Artibus et Historiae, 2024 (forthcoming)
‘Miraculous Madonnas and Where (Not) to Find Them: Marian Altarpieces and Piety in Renaissance Venice’, in Holy Laboratory: Altars and Sacred Spaces in Venice (ca. 1300-1797), eds. L. Buonanno and G. Guidarelli (Turnhout: Harvey Miller Publishers) (forthcoming)
‘Carpaccio’s Fate in Napoleonic Venice (ca. 1806-1814)’, in Vittore Carpaccio. Contesto, iconografia, fortuna, eds. P. Humfrey and G. Matino (Venice: Fondazione Giorgio Cini) (forthcoming)
‘Miraculous Madonnas and Where (Not) to Find Them: Marian Altarpieces and Piety in Renaissance Venice’, in Holy Laboratory: Altars and Sacred Spaces in Venice (ca. 1300-1797), eds. L. Buonanno and G. Guidarelli (Turnhout: Harvey Miller Publishers) (forthcoming)
‘Carpaccio’s Fate in Napoleonic Venice (ca. 1806-1814)’, in Vittore Carpaccio. Contesto, iconografia, fortuna, eds. P. Humfrey and G. Matino (Venice: Fondazione Giorgio Cini) (forthcoming)