Lorenzo Buonanno
Title
Associate Professor
Institution
University of Massachusetts Boston
Current Research
Fresco painting in Venice; Venetian sculpture; Venetian altarpieces; Historiography of Venetian art
Recent Publications
“Sculpture as a Foreign Art: Francesco Sansovino’s Dialog on Venice.” Sixteenth-Century Journal 55.3-4 (2024), pp. 504-543.
“Where Disegno Goes to Die: Constructing the Myth of a Venice without Drawing.” In Venetian Disegno. New Frontiers. Edited by Maria Aresin and Thomas Dalla Costa (London: Paul Holberton Ltd., 2024), pp. 112-121.
The Performance of Sculpture in Renaissance Venice (New York, Routledge, 2022)
“Where Disegno Goes to Die: Constructing the Myth of a Venice without Drawing.” In Venetian Disegno. New Frontiers. Edited by Maria Aresin and Thomas Dalla Costa (London: Paul Holberton Ltd., 2024), pp. 112-121.
The Performance of Sculpture in Renaissance Venice (New York, Routledge, 2022)
Forthcoming Publications
“An Early-Modern Meta-Altarpiece? Marco Basaiti’s Calling of the Sons of Zebedee in Vienna,” in Lorenzo G. Buonanno and Gianmario Guidarelli, eds., Holy Laboratory: Altars and Sacred Spaces in Venice (London: Harvey Miller Publishers).
Lorenzo G. Buonanno and Gianmario Guidarelli, eds., Holy Laboratory: Altars and Sacred Spaces in Venice (London: Harvey Miller Publishers).
Lorenzo G. Buonanno and Matteo Casini, eds., San Giovanni in Bragora: Chiesa, Communità, Campo (Rome: Viella).
Lorenzo G. Buonanno and Gianmario Guidarelli, eds., Holy Laboratory: Altars and Sacred Spaces in Venice (London: Harvey Miller Publishers).
Lorenzo G. Buonanno and Matteo Casini, eds., San Giovanni in Bragora: Chiesa, Communità, Campo (Rome: Viella).